Musicians will enter on this new work (the composition of sacred music) with the desire to continue that tradition which has furnished the Chruch, in her divine worship, with a truly abundant heritage.  Let them examine the woks of the past, their types and characteristics, ... so that "new forms may in some way grow organically from forms that already exist," and the new work will form a new part in the musical heritage of the Church, not unworthy of its past,

-Musicam Sacram, Art. 59

The highest reaches of music belong to the Church’s liturgical tradition; and a sort of “high point” seems to have, somehow, been attained in the polyphony of the European Renaissance. Benedict XVl has spoken explicitly of this achievement. In the music of Paul Jernberg, we have authentically contemporary liturgical music which arises gloriously and faithfully from this noble tradition.
— Thomas Howard, Author and Scholar

©Paul Jernberg and Magnificat Academy.