Musicians will enter on this new work (the composition of sacred music) with the desire to continue that tradition which has furnished the Chruch, in her divine worship, with a truly abundant heritage.  Let them examine the woks of the past, their types and characteristics, ... so that "new forms may in some way grow organically from forms that already exist," and the new work will form a new part in the musical heritage of the Church, not unworthy of its past,

-Musicam Sacram, Art. 59

"PAUL JENBERG, Jr. has lead a most interesting life. Perhaps it is the various twists in following God’s plan for him that allow him to express the most profoundly sacred truths through music.

In 1988, Paul helped prepare and then participated in a Scandinavian retreat with l’Arche founder Jean Vanier. His friendship with Vanier led him to a deeper awareness of the mentally handicapped and the vision of l’Arche, further studies in theology and Church history, and eventually in 1990 the decision to spend time living in a Franciscan monastery outside of Gothenburg. This was also a time of discovering the great beauty of Gregorian chant from the “inside”, that is from the perspective of singing it as prayer in the daily Mass and Liturgy of the Hours. This discovery, along with a grace-filled experience of the Catholic liturgical and sacramental life, brought a new sense of unity and mission to Jernberg’s work in sacred music.

MANY OF YOU HAVE HEARD about Paul Jernberg’s Mass of Saint Philip Neri. This extraordinary work and his other sacred works including the Salve Regina is available for purchase on his website.
The Mass of Saint Philip Neri can be sung with unaccompanied SATB choir, or very easily with organ accompaniment and unison schola. The layout of the SATB score in two lines makes this score quite flexible. Furthermore, the score is reminiscent of Theodore Marier’s Hymns, Psalms, and Spiritual Canticles in that it provides the ability to sing the entire mass as well as its multiple settings of various acclamations. The end result is also a mass that is very accessible to the congregation after hearing it just a few times.

His compositional voice is uniquely his, yet without pointing attention to itself. Paul’s rhythmic rendering of the text is simple, but never overshadows the music; it links accessible and sensitive rhythm with the freedom of Gregorian Chant. His music possesses sacred nobility, graceful humility, and simplicity, while reaching for the transcendent.

PAUL JERNBERG IS CURRENTLY Music Director of St. Monica and St. Lucy Parishes in Methuen, Massachusetts. He is also Composer-in-Residence at Thomas More College of Liberal Arts in Merrimack, New Hampshire and the founding director of the Magnificat Academy, a choir school for grades 4-12 in Warren, Massachusetts. An educator at heart, Paul is a model servant of the Church. Please pray that his work may continue in great service to the Church, and please sing his glorious music!"

- Richard Clark (Originally posted at

Music Director of St. Cecilia's in Boston

©Paul Jernberg and Magnificat Academy.